who's seen jezebel
she was born to be
the woman I would know
and hold like the breeze
half as tight as both eyes closed
who's seen jezebel
she went walking where
the cedars line the road
her blouse on the ground
where the dogs were hungry roaming
saying wait
we swear we'll love you more
and holy jezebel
it's we, we that you are for
only
who's seen jezebel
she was born to be
the woman we could blame
make me a beast half as brave
i'd be the same
who's seen jezebel
she was gone before
i ever got to say
lay here my love
you're the only shape i pray to
jezebel
who's seen jezebel
will the mountain last
as long as i can wait
wait like the dawn how
it aches to meet the day
who's seen jezebel
she was certainly
the spark for all i've done
the window was wide she could see
the dogs come running
saying wait
we swear we'll love you more
and holy jezebel
it's we, we that you are for
only
Tuesday, May 12, 2009
Friday, January 9, 2009
so many thoughts crowded into such a small window
a) i don't know what it's like for other people (how could i, i'm only myself). for me, though, it's a necesary to be altered. whether it's drugs, booze or even something as little as cigarettes or caffeine i have to have something going on in my head that's not me. left to it's own devices my brain goes crazy, it creates thoughts to big transcribe into real life.
b) if our society truly wanted to destroy alchohalism it would do one of two things. either it would destroy that which is herioc in man, or it would allow us to reach it.
c) human interaction is base and vulgar. think back to all the times you've had to excuse yourself from something it always ends with long vowled single sylabled word that destroys the conversational chemistry in a way that your leaving could never do. we don't allow ourselves to be subtle.
d) i've met a tons of people that want to 'feel something.' these people go to great lengths in order to prove to themselves that they're still alive. i don't understand it. in all situations there is something that hurts me or digs at me or elates me or exonerates me. there is never a situation where i don't feel strongly. i love hard, i hate hard, i care hard, i ignore hard. i wish that i could just place myself outside the current of the world sometimes.
e) when i have my own home i want as few soft things in it as possible. i want it to be glass and steel and concrete and lacquered wood. then, maybe, there wouldn't be so many little places where dark things could hide.
f) why can't we triumph without playing by their rules. why can't a person just win because he's the best. why can't we have a world where workers work and where leaders lead and where thinkers think. we live in a world where you have to have a debilitating reason behind what you do. a teachers teaches because he can't do, a worker works because he can't think. shouldn't we be able to be who we are best and do what we do best just because those are the things we do best.
b) if our society truly wanted to destroy alchohalism it would do one of two things. either it would destroy that which is herioc in man, or it would allow us to reach it.
c) human interaction is base and vulgar. think back to all the times you've had to excuse yourself from something it always ends with long vowled single sylabled word that destroys the conversational chemistry in a way that your leaving could never do. we don't allow ourselves to be subtle.
d) i've met a tons of people that want to 'feel something.' these people go to great lengths in order to prove to themselves that they're still alive. i don't understand it. in all situations there is something that hurts me or digs at me or elates me or exonerates me. there is never a situation where i don't feel strongly. i love hard, i hate hard, i care hard, i ignore hard. i wish that i could just place myself outside the current of the world sometimes.
e) when i have my own home i want as few soft things in it as possible. i want it to be glass and steel and concrete and lacquered wood. then, maybe, there wouldn't be so many little places where dark things could hide.
f) why can't we triumph without playing by their rules. why can't a person just win because he's the best. why can't we have a world where workers work and where leaders lead and where thinkers think. we live in a world where you have to have a debilitating reason behind what you do. a teachers teaches because he can't do, a worker works because he can't think. shouldn't we be able to be who we are best and do what we do best just because those are the things we do best.
Monday, December 22, 2008
oh god my mind is eating my heart out, oh god my heart is beating my mind up
i've been reading through all the things i've written over the last couple years and i've discovered something interesting. i'm obsessed with things being 'abandoned since the mines went dry and the railroads left town.' look i love trains and mines just as much as any other dude with a boner for civilization driving heavy machinery. there's just something about abandoned railroads, especially the bridges. it's like people and nature got into a fight and they just kept punching each other until they were to tired to lift their hands. and now they're just kinda sitting there looking at each other. anyway i like them and wish it was warm enough to go climb on one.
Thursday, December 11, 2008
the fear is coming clear, my dear, the fear is here
some nights i'm terrified. i am so terrified i can't do anything but sit and shake and remember. remember all those little hidey holes where things fed by human atrocities live. all those little places where you would never go when you were little. i sit there and remember them and try to remember what about them terrified me then and what about them terrifies me now. and i can't. so i come up with all these grim and ghastly things that could have happened there to make those dark spots on the human conscience. and they're all horrible, but what's truly horrible is that they aren't real and the terror is. and the terror is worse. it's something hard and cold and ancient and primal. and if you let it it will prise its way into you and it will devour you and leave behind a husk that is filled with an oily darkness. a deathness. and that deathness will follow you wherever you go and with every step you take a little more of the world will become tainted. a little more of the innocence we have left will be lost.
those are the nights i refuse to sleep and i watch the seconds and minutes and hours slowly tick by until the sun rises and i feel safe.
Tuesday, December 9, 2008
these unlaunch'd voices
this is the list of the modern library's 100 best novels. in high school i decided to read all of them well that was years ago and i'm only 11 in. so over the course of this next year i will be reading them all a pace of a book every 4 days or so and updating you on whether they're truly worthwhile or not.
- ULYSSES by James Joyce
- THE GREAT GATSBY by F. Scott Fitzgerald
- A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce (read)
- LOLITA by Vladimir Nabokov (read)
- BRAVE NEW WORLD by Aldous Huxley (read)
- THE SOUND AND THE FURY by William Faulkner
- CATCH-22 by Joseph Heller (read)
- DARKNESS AT NOON by Arthur Koestler
- SONS AND LOVERS by D.H. Lawrence
- THE GRAPES OF WRATH by John Steinbeck
- UNDER THE VOLCANO by Malcolm Lowry
- THE WAY OF ALL FLESH by Samuel Butler
- 1984 by George Orwell (read)
- I, CLAUDIUS by Robert Graves
- TO THE LIGHTHOUSE by Virginia Woolf
- AN AMERICAN TRAGEDY by Theodore Dreiser
- THE HEART IS A LONELY HUNTER by Carson McCullers
- SLAUGHTERHOUSE-FIVE by Kurt Vonnegut (read)
- INVISIBLE MAN by Ralph Ellison
- NATIVE SON by Richard Wright
- HENDERSON THE RAIN KING by Saul Bellow
- APPOINTMENT IN SAMARRA by John O'Hara
- U.S.A. (trilogy) by John Dos Passos
- WINESBURG, OHIO by Sherwood Anderson
- A PASSAGE TO INDIA by E.M. Forster
- THE WINGS OF THE DOVE by Henry James
- THE AMBASSADORS by Henry James
- TENDER IS THE NIGHT by F. Scott Fitzgerald
- THE STUDS LONIGAN TRILOGY by James T. Farrell
- THE GOOD SOLDIER by Ford Madox Ford
- ANIMAL FARM by George Orwell (read)
- THE GOLDEN BOWL by Henry James
- SISTER CARRIE by Theodore Dreiser
- A HANDFUL OF DUST by Evelyn Waugh
- AS I LAY DYING by William Faulkner
- ALL THE KING'S MEN by Robert Penn Warren
- THE BRIDGE OF SAN LUIS REY by Thornton Wilder
- HOWARDS END by E.M. Forster
- GO TELL IT ON THE MOUNTAIN by James Baldwin
- THE HEART OF THE MATTER by Graham Greene
- LORD OF THE FLIES by William Golding
- DELIVERANCE by James Dickey
- A DANCE TO THE MUSIC OF TIME (series) by Anthony Powell
- POINT COUNTER POINT by Aldous Huxley
- THE SUN ALSO RISES by Ernest Hemingway
- THE SECRET AGENT by Joseph Conrad
- NOSTROMO by Joseph Conrad
- THE RAINBOW by D.H. Lawrence
- WOMEN IN LOVE by D.H. Lawrence
- TROPIC OF CANCER by Henry Miller
- THE NAKED AND THE DEAD by Norman Mailer
- PORTNOY'S COMPLAINT by Philip Roth
- PALE FIRE by Vladimir Nabokov
- LIGHT IN AUGUST by William Faulkner
- ON THE ROAD by Jack Kerouac (read)
- THE MALTESE FALCON by Dashiell Hammett
- PARADE'S END by Ford Madox Ford
- THE AGE OF INNOCENCE by Edith Wharton
- ZULEIKA DOBSON by Max Beerbohm
- THE MOVIEGOER by Walker Percy
- DEATH COMES FOR THE ARCHBISHOPby Willa Cather
- FROM HERE TO ETERNITY by James Jones
- THE WAPSHOT CHRONICLES by John Cheever
- THE CATCHER IN THE RYE by J.D. Salinger (read)
- A CLOCKWORK ORANGE by Anthony Burgess
- OF HUMAN BONDAGE by W. Somerset Maugham
- HEART OF DARKNESS by Joseph Conrad
- MAIN STREET by Sinclair Lewis
- THE HOUSE OF MIRTH by Edith Wharton
- THE ALEXANDRIA QUARTET by Lawrence Durell
- A HIGH WIND IN JAMAICA by Richard Hughes
- A HOUSE FOR MR BISWAS by V.S. Naipaul
- THE DAY OF THE LOCUST by Nathanael West
- A FAREWELL TO ARMS by Ernest Hemingway (read)
- SCOOP by Evelyn Waugh
- THE PRIME OF MISS JEAN BRODIE by Muriel Spark
- FINNEGANS WAKE by James Joyce
- KIM by Rudyard Kipling
- A ROOM WITH A VIEW by E.M. Forster
- BRIDESHEAD REVISITED by Evelyn Waugh
- THE ADVENTURES OF AUGIE MARCH by Saul Bellow
- ANGLE OF REPOSE by Wallace Stegner
- A BEND IN THE RIVER by V.S. Naipaul
- THE DEATH OF THE HEART by Elizabeth Bowen
- LORD JIM by Joseph Conrad
- RAGTIME by E.L. Doctorow
- THE OLD WIVES' TALE by Arnold Bennett
- THE CALL OF THE WILD by Jack London (read)
- LOVING by Henry Green
- MIDNIGHT'S CHILDREN by Salman Rushdie
- TOBACCO ROAD by Erskine Caldwell
- IRONWEED by William Kennedy
- THE MAGUS by John Fowles
- WIDE SARGASSO SEA by Jean Rhys
- UNDER THE NET by Iris Murdoch
- SOPHIE'S CHOICE by William Styron
- THE SHELTERING SKY by Paul Bowles
- THE POSTMAN ALWAYS RINGS TWICEby James M. Cain
- THE GINGER MAN by J.P. Donleavy
- THE MAGNIFICENT AMBERSONS by Booth Tarkington
Friday, November 14, 2008
vamo quebrá tudo, vamo, vamo
things i am doing
book: pulphope by paul pope
music: montreux jazz ao vivo by hermeto pascoal
movie: paris je t'aime
website: http://www.anetakowalczyk.com/
avoiding: laundry
Friday, November 7, 2008
sing for last call, sing for last fall, such was it all
a couple things of note
1) for the first time in many, many months i feel like myself. as far as i can tell this is due to booze, smokes, balkan folk music, and excitement about world fairs past, present and future.
2) http://thefartparty.blogspot.com/2008/10/boyfriends-suck.html this is a really enjoyable letter found in a prescott, arizona salvation army. the lady who writes this blog is terribly funny and has a very nice journal comic at http://www.fartparty.org/
3) if you guys don't already know i'm so, so, so, so, so, so excited about world expos/fairs right now. one of the things i hate most in the world is bleeding flag eagle bible belt americans whose jingoistic leanings have made it possible for america to allienate the whole fucking world. maybe all we need is to try a little harder to understand the other people that live in this world with us. http://www.expomuseum.com/2015/
Subscribe to:
Posts (Atom)